The clandestine world of crop circles is threatened when an ambitious TV journalist plans to expose the truth drawing her into the enigma of lights, Celtic mythology and UFOs to discover both the beauty and danger in the mystery she seeks.

Saul Barnard grew up in a family of woodcutters. The woodcutters are scared of the elephants in the forest, but there's one elephant that never seems to threaten Saul. Tired of being exploited by wood buyers, Saul takes a stand and his father chases him away. He goes to work on the wood buyer MacDonald's wood yard, where he gets to know MacDonald's daughter, Kate, and falls in love with her. After a few years he leaves MacDonald and joins the first prospectors in the forest, searching for gold. Millwood becomes a small town with hotels and bars and houses. Kate appears again.

What if language lost its meaning, but we still kept talking? 　　Can Circle Circles is a surreal animation that deconstructs the relationship between language and meaning. Inspired by semiotics, absurdism, and divination systems like Tarot, the film uses poetic visuals and unpredictable voiceovers to create a space of uncertainty.

How much do we sense, speculate, and respond to the signs conveyed by the life and death of other beings? How can we open up our clandestine relationship with them? Rather than blur or abolish boundaries, can we sustain the tension that animates such alterity and not neutralize that relationship? In search of answers, whale-time and human-time dive into small circles where emptiness and fullness meet.

The film observes three circular patterns: cherry blossom petals circling in a rushing mountain stream and among rain drops; the changing sky and seasons seen on a reflective dome; and the blooming and fading of flowers. Circles and cycles appear often in daily life. This film, made entirely from still photos, creates a new vision and raises philosophical questions about time and lifecycles.

Writer/director Leah Yananton's modernization of "Dante's Inferno" tells the story of a complex, intelligent and flawed young woman's coming-of-age.

A multi-narrative drama that navigates through the different lives of one city's residents, each of whom is connected to the same local homicide investigation. This ensemble cast of characters includes an Iraq War vet returned home to an emotionally disturbed wife, a new father living in the shadow of a successful older brother, a sister caught up in a web of addiction, and a cameraman who attempts to exploit the reality behind all of their stories, or at least his version of them. The search for truth becomes a life and death struggle as the subtle manipulation of all relationships is exposed.

This final follow-up to 'Till Death Us Do Part' follows an aged Alf Garnett, now dealing with his wife Else's declining health and mobility, as well as the challenges of navigating the social security system and other everyday situations.

Nastja Säde Rönkkö recites one poem with three narrators: a teardrop, a droplet of blood and a bead of sweat. Each tells love stories through biochemistry – about love, belonging and loss, and about crises lived and impending. The words are vivid but not enough, supercharged here by hyperreal images of landscapes both physical and emotional, and the fluids expressing and crystallising them.